Thu, Feb 25
|02/25/2020 | MSO
Mödlinger Symphonic Orchestra
Masterpieces of the Viennese Classic; Compositions by Beethoven, Mozart and Schubert
Zeit & Ort
Feb 25, 2021, 7:30 PM GMT+1 – May 30, 2021, 10:00 PM GMT+2
02/25/2020 | MSO
Über die Veranstaltung
Ludwig van Beethoven
The creatures of Prometheus Op. 43
overture
Wolfgang Amadeus Mozart
Concerto for violin and orchestra No. 5 in A major, KV 219
Allegro aperto
adagio
Rondeau, Tempo di Menuetto
Franz Schubert
Symphony No. 8 "Unfinished" in B minor, D 759
Allegro moderato
Andante con moto
Mödlinger Symphonic Orchestra
Daniel Auner, conductor
Alexandra Tirsu, violin
The Mödlinger Symphonic Orchestra was founded 35 years ago, the most memorable concert of this |
long-term activity took place on October 11, 2020. Already two concerts in the first half of the year were due
the corona pandemic had been canceled, the greater the anticipation for the concert in October. Were planned
two concerts, a matinee and an evening concert to accommodate all the audience despite the increased space between the seats.
On the day of the dress rehearsal, however, one of the first violinists was completely surprisingly positive about the rampant
COVID-19 virus tested, whereupon he and six other violinists, including both concert masters, immediately
had to go into quarantine. An implementation of the major work, which had been prepared for concert readiness, was over
artistic point of view, without a concertmaster and with 7 violinists less, unthinkable.
October 11, two days later: The program has been changed. Instead of Sergei's Symphonic Dances
Rachmaninoff, the orchestra plays Schubert's Unfinished Symphony - a work that has already been written for
a concert was studied in March 2020, but could not be performed because the concert was canceled.
The orchestra is smaller, with some courageous violinists switching from the second violins
in the dress rehearsal over to the first. Daniel Auner can finally appear in front of the orchestra as a conductor
He performs Mozart's violin concerto from the concert master's place. The spirited soloist Alexandra Tirsu
jumps in as concertmaster in the other two pieces. All musicians on stage
are highly concentrated, motivated and proud of something extraordinary, even in an absolutely exceptional situation
to be able to perform. The musical tension jumps over to the audience; the concert succeeds and those involved
Musicians, like many listeners, are extremely happy.
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